Gaze
2022
oil on canvas
91×72.7cm
Untitled-3
Untitled-3
2022
72.7×60.6cm
oil on canvas
Solo exhibition “Entity”
2022. 09
English is below▼
【個展のお知らせ】
@biscuit_gallery にて個展をします。Entityというタイトルは実体という意味です。実体と実在が奇妙に関係する題材の絵を中心に構成しました。新たな試みにも挑戦しているので、ぜひ実物を見ていただければと思います。
[ 開催概要 ]
鈴木秀尚×中風森滋×杉山日向子 トリプル個展 「SOLO SOLO SOLO Vol.2」
1F: 杉山日向子 個展「Hypericum」
2F: 鈴木秀尚 個展「Entity」
3F: 中風森滋 個展「苦味を添加する」
会場: biscuit gallery 1階〜3階
会期: 2022年10月6日(木)〜10月23日(日)
時間: 13:00〜19:00(土日:12:00〜18:00)
※月〜水休
入場: 無料
主催: biscuit gallery
【Solo exhibition Entity】
Announcement of my solo exhibition at @biscuit_gallery.
The exhibition is composed mainly of paintings of subjects that are strangely related to entities and realities. I hope you will enjoy seeing the actual works as I try new approaches.
[ Exhibition Outline ]
Hidetaka Suzuki x Shinji Nakakaze x Hinako Sugiyama Triple Solo Exhibition “SOLO SOLO SOLO Vol.2”
1F: Hinako Sugiyama solo exhibition “Hypericum”
2F: Hidetaka Suzuki solo exhibition “Entity”
3F: Shinji Nakakaze solo exhibition “Adding Bitterness”
Venue: biscuit gallery 1F-3F
Dates: October 6 (Thu) – 23 (Sun), 2022
Hours: 13:00-19:00 (Sat & Sun: 12:00-18:00)
Closed Monday through Wednesday
Admission: free
Organized by: biscuit gallery
September, 2022
2022. 09I was fascinated at a certain point in my life with finding family photos on the internet.
I was attracted to the sense of guilt and the strange feeling of being able to see other people’s private photos, which I had nothing to do with. Things opened up in front of me that I would never usually have the chance to see.Once I reblogged a family photo on Tumblr that was probably from overseas, and there was a comment on it. It was a comment in English. It was an angry “Why do you have my father’s picture? Delete it immediately”.Of course, I did not upload this photo. Nor do I own it. It was a photo taken somewhere, uploaded to the internet by someone else, and for whatever reason, it showed up on my dashboard. If I deleted the post, the data would never disappear from the internet, but I immediately deleted that reblog.When I read the comments, I felt an eerie sensation as if I was suddenly touched by something damp and caught a glimpse of a gaze from out of nothing. Something supposed to be fiction was somehow connected to reality and haunting me. The place I believed to be safe was, from the other side, just within their reach.
I was attracted to the sense of guilt and the strange feeling of being able to see other people’s private photos, which I had nothing to do with. Things opened up in front of me that I would never usually have the chance to see.Once I reblogged a family photo on Tumblr that was probably from overseas, and there was a comment on it. It was a comment in English. It was an angry “Why do you have my father’s picture? Delete it immediately”.Of course, I did not upload this photo. Nor do I own it. It was a photo taken somewhere, uploaded to the internet by someone else, and for whatever reason, it showed up on my dashboard. If I deleted the post, the data would never disappear from the internet, but I immediately deleted that reblog.When I read the comments, I felt an eerie sensation as if I was suddenly touched by something damp and caught a glimpse of a gaze from out of nothing. Something supposed to be fiction was somehow connected to reality and haunting me. The place I believed to be safe was, from the other side, just within their reach.
–
私はネットで家族写真を見つけることに夢中になっていた時期がある。
他人のプライベートな写真を何の関係も無い私が見れてしまうことへの罪悪感と、その奇妙さに惹かれていた。普段では決して見ることのできないものが開かれているのだ。
ある時Tumblrでリブログした海外のものであろう家族写真にコメントがついていた。それは英語のコメントであったが、内容としてはなぜあなたが私の父の写真を持っているのか。すぐに消しなさいという怒りの内容だった。
もちろんこれは私がアップロードしたものではないし、正確にいうと私が所有しているものでもない。どこかで撮影した写真がネットにアップロードされ、何の因果か私のダッシュボードに表示されたのだ。私が投稿を消したとしてもデータがネット上から消滅することは決して無いが、すぐにそのリブログを消した。
コメントを読んだ時、不意に湿気を帯びた何かに触れられたような、何も無いところから視線を感じるような不気味さを感じた。虚構であるはずのものが、何かのきっかけで現実と接続され、こちら側に迫ってくる。私が安全であると思っていた場所は、向こうから見れば手の届く場所だったのだ。
Friend of The Artist Volume 15
2022. 09
I’m featured in vol 15 of FOA, a magazine that features emerging artists from around the world.
You can purchase a copy of the magazine at the following link.
https://www.friendoftheartist.com/volume-15
Friend of The Artist is dedicated to showcasing the work of talented emerging artists from around the world. Each volume is unique and features a diversity of aesthetics and ideas as we invite guest jurors to select artists. For Volume 15, we are excited to partner with newcube who curated a wonderful group of artists. newcube is a platform connecting collectors, curators, and art enthusiasts with promising new artists while providing career development opportunities to the new generation of artists on the rise. We are delighted with their selection and thank newcube staff, Bibi Zavieh, Claire Toole, Laura Day Webb, Nazgol Kashani for their selection of artists.
Within the pages of FOA’s Volume 15, we are proud to feature 50 artists from 13 countries who work in various mediums. We feel that FOA’s printed volumes can provide a physical encounter for the viewer to not only take in the works in a tactile form and experience them in context with other curated works.
Foreign substance
Foreign substance
2022
116.7×91cm
oil on canvas